PBG 3 Question Interview with Heather Anne Lomax "Come Along" Single
- Produced by a Girl™

- Jul 1
- 2 min read

Heather Anne Lomax is an artist who pours real life into every note, weaving together rock, blues, and soul for a sound that feels both classic and refreshingly honest. Hailing from Kansas City, she’s spent the last decade carving out her own lane, earning critical praise, international radio spins, and sharing the stage with legends like Wynonna and The Big Noise, Lee Ann Womack, Blake Shelton, Blood Sweat and Tears, Kenny Rogers, and The Marshall Tucker Band. Her latest album, The Doman Tracks, was born from a magical night at The Troubadour and brought to life at Love Street Studios in Los Angeles, where the sessions buzzed with raw, 70s-inspired energy. With Zachary Ross producing, Jason Hiller mixing, and Maor Appelbaum mastering, the album is a heartfelt tribute to emotional honesty, musical roots, and Heather’s own journey of self-discovery and soulful expression.
1. You shared that “Come Along” drew inspiration from the Black Crowes, and that you were reaching for a sense of hopefulness even when the world felt heavy. Can you talk about what that spark of uplift meant to you as you wrote the song? How do you channel real hope into your music without it ever feeling forced or simple?
I really wanted to bring a sense of hope and happiness after going through a dark time in my life. I had lived in LA for 24 years, and felt it was time for a new chapter in my life, and I was ready. I wrote it to be taken in a literal sense (as a couple journeying through life together), or also in a mystical sense: your future self. I felt it was time to "break the mold" of where I had been in my life-also in my music.
2. When you brought those Broken Homes songs into your Troubadour set, it felt like you unlocked a new chapter for this album. What was it about that night, or those songs, that made you sense there was a bigger story waiting to unfold?
I have always loved rock and roll, and it felt like those songs just unzipped my soul to reveal a deep unbridled rawness. Those songs gave me that vehicle.
3. You tracked this record live at Love Street Studios, really leaning into the chemistry and raw energy of the moment instead of chasing a polished sound. How did that approach shape your performance as a vocalist, and what do you think came through in these sessions that might have been lost in a more controlled studio setting?
I am spoiled, I no longer want to make a record in any other way. My other two records were also recorded live. There is just an energy that is exchanged between musicians that you can't necessarily get when you aren't playing together. It's really a beautiful experience. I notice my singing is usually a lot more nuanced when I record LIVE with the band.
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